Reportazh<\/p>\n
\u201cNazaret\u201d4
\nndihmon<\/p>\n
n\u00eb forcimin e
\nvazhduesh\u00ebm t\u00eb
\nautonomis\u00eb
\nekonomike<\/p>\n
t\u00eb Kish\u00ebs<\/p>\n
Para disa muajsh, n\u00eb fest\u00ebn e Tre Hierark\u00ebve t\u00eb M\u00ebdhenj t\u00eb Kish\u00ebs son\u00eb, kur u krye sh\u00ebrbesa e par\u00eb n\u00eb Institutin Profesional \u201cFrym\u00eb dashurie\u201d n\u00eb Tiran\u00eb, t\u00eb t\u00ebrhiqte v\u00ebmendjen nj\u00eb ikonostas i ri, i pu- nuar me mjesht\u00ebri e fines\u00eb. Pje- s\u00ebmarr\u00ebsit e p\u00eblqyen shum\u00eb k\u00ebt\u00eb punim, por g\u00ebzoheshin kur m\u00ebsonin se ai ishte p\u00ebrgatitur nga specia- list\u00ebt e gdhendjes s\u00ebdrurit t\u00eb kom- pleksit polifunksional \u201cNazaret\u201d. N\u00eb radh\u00ebn e punimeve ky ikonostas ishte i pari, por kurrsesi i fundit.<\/p>\n
Tani mjeshtrit e gdhendjes jan\u00eb duke punuar ikonostasin e kish\u00ebs s\u00eb Shkodr\u00ebs, me p\u00ebrmasa t\u00eb m\u00eb- dha. Edhe ky ikonostas, n\u00eb ve\u00e7anti- n\u00eb e vet, do t\u00eb shpalos\u00eb t\u00eb vendo- sura nj\u00ebra pas tjetr\u00ebs ikonat n\u00eb pje- s\u00ebn kryesore t\u00eb kish\u00ebs. N\u00eb studiot e gdhendjes s\u00eb drurit realizohen ve- pra origjinale, kryesisht p\u00ebr ikono- staset e kishave. Karakteristik\u00eb e tyre \u00ebsht\u00eb modelimi deri n\u00eb detaje dhe punimi me gdhendje t\u00eb thell\u00eb. P\u00ebrdoret cil\u00ebsia m\u00eb e mir\u00eb e drurit natyror, si edhe n\u00eb procesin e pun\u00ebs ndiqen metodat m\u00eb cil\u00ebsore t\u00eb gdhendjes. Kjo qend\u00ebr, ku p\u00ebrgati- ten materialet kishtare, duket se e ka krijuar fizionomin\u00eb e saj prej vi- tesh. Nuk \u00ebsht\u00eb thjesht nj\u00eb kom- pleks i pajisur m\u00eb s\u00eb miri, me pajisje moderne apo pun\u00ebtor\u00eb t\u00eb dalluar t\u00eb fush\u00ebs artizanale. Mund t\u00eb konsid- erohet me t\u00eb drejt\u00eb nj\u00eb objekt me perspektiv\u00eb q\u00eb do t\u00eb forcoj\u00eb auto- nomind ekonomike t\u00eb Kish\u00ebs.<\/p>\n
Vizit\u00eb n\u00eb mes t\u00eb ver\u00ebs<\/p>\n
Nj\u00eb dit\u00eb korriku mb\u00ebrrijm\u00eb n\u00eb nd\u00eb- rtes\u00ebn buz\u00eb rmg\u00ebs nacionale, q\u00eb duk- sh\u00ebm bie n\u00eb sy. Kompleksi shtrihet n\u00eb nj\u00eb sip\u00ebrfaqe rreth 3000 m2, ku \u00ebsht\u00eb vendosur godina qendrore, nd\u00ebrsa oborri para saj \u00ebsht\u00eb l\u00ebn\u00eb i lir\u00eb. Aty s\u00eb shpejti do nd\u00ebrtohet nj\u00eb kish\u00eb p\u00ebr banor\u00ebt e zon\u00ebs. N\u00eb go- din\u00ebn trekat\u00ebshe me arkitektur\u00eb t\u00eb<\/p>\n
stilit gjirokastrit jan\u00eb sistemuar punishtja p\u00ebr prodhimin e qirinjve, shtypshkronja, studiot p\u00ebrpunimin e ikonave t\u00eb reja, p\u00ebr restaurimin e konservimin e objekteve t\u00eb vjetra, p\u00ebr zhvillimin e artit kishtar me mo- zaik dhe dru t\u00eb gdhendur, zdruk- th\u00ebtaria, magazina qendrore e Ki- sh\u00ebs, si dhe apartamenti i mikpri- tjes. Objekti \u00ebsht\u00eb nd\u00ebrtuar me fo- ndet e konsiderueshme t\u00eb mbledhura nga Kryepiskopi Anastas.<\/p>\n
Pak histori<\/p>\n
P\u00ebrgjegj\u00ebsi i k\u00ebtij kompleksi, z. Kristofor Beduli, na pret n\u00eb hyr- je. Ai na shpjegon q\u00eb n\u00eb fillim, se ngritja e tij ka p\u00ebr q\u00ebllim q\u00eb t\u00eb ndih- moj\u00eb ringjalljen dhe funksionimin normal t\u00eb Kish\u00ebs dhe institucioneve social-kulturore t\u00eb saj: t\u00eb realizoj\u00eb detyra dhe prodhime, jo vet\u00ebm p\u00ebr t\u00eb zgjidhur nevojat imediate, por q\u00eb t\u00eb \u00e7ojn\u00eb dhe n\u00eb forcimin e vazhdu- esh\u00ebm t\u00eb autonomis\u00eb ekonomike t\u00eb Kish\u00ebs, pra t\u00eb Autoqefalis\u00eb s\u00eb saj. Historia ka pjes\u00ebn e vet n\u00eb p\u00ebrshkrim, ndaj z. Beduli, na tregon se nd\u00ebrtimi i kompleksit \u00ebsht\u00eb n\u00eb nj\u00eb truall t\u00eb bler\u00eb nga Kisha dhe me projekte t\u00eb Zyr\u00ebs Teknike t\u00eb saj. Puna p\u00ebr nd\u00ebrtimin e tij filloi n\u00eb shkurt 1998 dhe p\u00ebrfundoi n\u00eb dhjetor 1999. Gjat\u00eb viteve shkollore 2000-2004, studiot e ikonografis\u00eb dhe restauri- mit ishin edhe studio shkollore p\u00ebr deg\u00ebt p\u00ebrkat\u00ebse t\u00eb Institutit t\u00eb For- mimit Profesional \u201cFrym\u00eb Dashurie\u201d. N\u00ebn kujdesin e Fortlumturis\u00eb s\u00eb Tij, Kryepiskopit Anastas, kushtet pro- fesionale t\u00eb pun\u00ebs p\u00ebrmir\u00ebsohen vazhdimisht, madje me teknologji e pajisje, si p\u00ebr shembull shtypshkro<\/p>\n
nja e re q\u00eb pritet t\u00eb vij\u00eb shum\u00eb shpejt.<\/p>\n
P\u00ebr t\u00eb zbuluar detajet…<\/p>\n
Vazhdojm\u00eb vizit\u00ebn n\u00eb sektor\u00ebt prodhues t\u00eb kompleksit \u201cNazaret\u201d. Gjendemi n\u00eb shtypshkronj\u00eb, ku shtypen gazeta \u201cNgjallja\u201d, revistat \u201cG\u00ebzohu!\u201d dhe \u201cKambanat\u201d, libra dhe flet\u00ebpalosje p\u00ebr njohjen e kul- tur\u00ebs fetaro-enciklopedike, doku- mente dhe regjistra t\u00eb administrates s\u00eb institucioneve t\u00eb Kish\u00ebs so- n\u00eb. Nj\u00eb p\u00ebrsh\u00ebndetje me punonj\u00eb- sit Todin, Bledin, Florik\u00ebn, Naumin dhe Moren\u00ebn nuk t\u00eb k\u00ebrkon shum\u00eb koh\u00eb.<\/p>\n
Mjaft interesante ishte puna n\u00eb studion e restaurim-konservimit, ku punohet me objekte t\u00eb vjetra, nga t\u00eb tradit\u00ebs, q\u00eb i kan\u00eb shp\u00ebtuar rr\u00eb- nimit t\u00eb 1967-\u00ebs dhe q\u00eb jan\u00eb pron\u00eb t\u00eb Kish\u00ebs son\u00eb, si: ikona, afreske, epitaf\u00eb, ikonostase etj. Materialet q\u00eb p\u00ebrdoren p\u00ebr nd\u00ebrhyrjet e ndry- shme jan\u00eb tradicionale, nd\u00ebrsa m\u00eb- nyra e veprimit \u00ebsht\u00eb me teknologji bashk\u00ebkohore. Pas nd\u00ebrhyrjes objektet kthehen n\u00eb funksion ose p\u00ebrgatiten p\u00ebr ekspozime t\u00eb ndry- shme. Pik\u00ebrisht n\u00eb sektor\u00ebt e artit jan\u00eb pun\u00ebsuar disa nga student\u00ebt m\u00eb t\u00eb mir\u00eb t\u00eb \u00e7do viti, q\u00eb kan\u00eb mba- ruar deg\u00ebt p\u00ebrkat\u00ebse n\u00eb Institutin e Formimit Profesional \u201cFrym\u00eb Dashurie\u201d.<\/p>\n
N\u00eb studion e ikonave dhe t\u00eb afreskut, punonj\u00ebsit p\u00ebrballojn\u00eb me nj\u00eb preokupim dhe ndjeshm\u00ebri t\u00eb ve\u00e7ant\u00eb kompletimin e kishave t\u00eb reja dhe t\u00eb institucioneve sociale, q\u00eb nd\u00ebrton Fortlumturia e Tij, Kryepiskopi Anastas an\u00eb e mban\u00eb ve-<\/p>\n
ndit. Ikonat punohen me teknik\u00ebn e boj\u00ebrave t\u00eb dheut me vez\u00eb dhe me flet\u00eb ari 24 karat. Karakteri- stik\u00eb e \u201clinj\u00ebs\u201d s\u00eb ikonave \u00ebsht\u00eb teknika e b\u00ebrjes s\u00eb drit\u00ebhijes me an\u00eb t\u00eb vijave nj\u00ebngjyr\u00ebshe, di\u00e7ka kjo q\u00eb plot\u00ebson t\u00eb ren\u00eb q\u00eb sjell piktura e koh\u00ebs n\u00eb ikonografin\u00eb bizantine. Me t\u00eb nj\u00ebjtin preokupim dhe ndje- shm\u00ebri jan\u00eb realizuar edhe veprat ikonografike n\u00eb studion e mozai- k\u00ebve ku p\u00ebrdoren mozaik\u00eb prej guri natyror, nga m\u00eb t\u00eb mir\u00ebt, t\u00eb sjell\u00eb nga vende t\u00eb ndryshme t\u00eb bot\u00ebs si dhe prej gur\u00ebsh venecian\u00eb.<\/p>\n
Punishtja e qirinjve prodhon t\u00eb gjitha llojet e qirinjve q\u00eb p\u00ebrdoren n\u00eb kish\u00eb, si dhe nj\u00eb shum\u00eblloj- shm\u00ebri produktesh t\u00eb zbukuruara prej qiriri (shporta, kurora, kryqe, qirinj me omamente etj.), tradit\u00eb kjo e jona p\u00ebr periudh\u00ebn e Pashk\u00ebs. Sipas Kristoforit, n\u00eb vitprodhohet e gjith\u00eb sasia e nevojshme p\u00ebr n\u00eb kisha.<\/p>\n
N\u00eb zdrukth\u00ebtari prodhohen paji- me e orendi p\u00ebr kishat, si: kryqe, psaltir\u00eb, prosqinitar\u00eb etj., si dhe realizohen pun\u00ebt p\u00ebrgatitore t\u00eb vepra- ve me gdhendje, si: ikonostas\u00eb, analogje etj., nd\u00ebrkoh\u00eb q\u00eb kryhen edhe punime mir\u00ebmbajtjeje n\u00eb insti- tucionet pran\u00eb Kish\u00ebs.<\/p>\n
Gjat\u00eb bised\u00ebs me \u201cudh\u00ebrr\u00ebfy- esin\u201d ton\u00eb, z. Kristofor Beduli, m\u00eb- suam se ikonograf\u00ebt shqiptar\u00eb q\u00eb kan\u00eb bashk\u00ebpunuar me kompleksin e punishteve \u201cNazaret\u201d kan\u00eb fituar disa \u00e7mime n\u00eb ekspozita nd\u00ebrko- mb\u00ebtare.<\/p>\n
Isidor Koti<\/p>\n","protected":false},"excerpt":{"rendered":"
Material nga Gusht 2007.<\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"nentitulli":"","numri":"8 (175)","viti":"2007","muaji":"Gusht","muaji_numer":"8","dita":"","faqet":"[8]","fjale_kyce":"[\"Reportazh\", \"\u201cNazaret\u201d\", \"ndihmon\", \"forcimin\", \"vazhduesh\u00ebm\"]","permbledhje":"Material nga Gusht 2007.","autori":"","kategoria":"Artikull","kryeredaktor":"Thoma Dhima"},"ngjallja_kategoria":[9653],"ngjallja_autori":[],"ngjallja_viti":[11325],"ngjallja_kryeredaktor":[9473],"class_list":["post-87607","ngjallja_article","type-ngjallja_article","status-publish","hentry","ngjallja_kategoria-artikull","ngjallja_viti-11325","ngjallja_kryeredaktor-thoma-dhima"],"acf":[],"yoast_head":"\n