{"id":87541,"date":"2026-06-01T03:25:40","date_gmt":"2026-06-01T01:25:40","guid":{"rendered":"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/himnologjia-dhe-muzika-bizantine-brenda-adhurimit-2\/"},"modified":"2026-06-01T03:25:40","modified_gmt":"2026-06-01T01:25:40","slug":"himnologjia-dhe-muzika-bizantine-brenda-adhurimit-2","status":"publish","type":"ngjallja_article","link":"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/himnologjia-dhe-muzika-bizantine-brenda-adhurimit-2\/","title":{"rendered":"Himnologjia dhe Muzika Bizantine, brenda adhurimit"},"content":{"rendered":"

Himnologjia
\ndhe Muzika Bizantine,
\nbrenda adhurimit<\/p>\n

Zhvillimi i Himnologjis\u00eb dhe
\narritjet e saj n\u00eb shekuj.<\/p>\n

-Shkurtorja dhe Himni Akathist-<\/p>\n

(vijon nga numri i kaluar)<\/p>\n

Si\u00e7 e kemi theksuar, himnet ki- shtare nis\u00ebn si krijime t\u00eb thjeshta, pjes\u00eb e lutjes s\u00eb sinqert\u00eb t\u00eb besim- tar\u00ebve t\u00eb par\u00eb. Krishterimi, duke u lindur brenda fush\u00ebs hebraike, \u00ebsht\u00eb e natyrshme q\u00eb p\u00ebrfshiu midis t\u00eb tjerave dhe himnet hebraike t\u00eb cilat ishin n\u00eb p\u00ebrdorim, Psalmet. Por me kalimin e koh\u00ebs himnologjia pati nj\u00eb rritje drastike, e cila \u00e7oi n\u00eb krijime madh\u00ebshtore si\u00e7 jan\u00eb Shku- rtoret ose Kanonet. Pik\u00ebrisht rreth Shkurtores do t\u00eb desha t\u00eb ndaloja e t\u00eb flisja m\u00eb gjer\u00ebsisht.<\/p>\n

Shkurtorja \u00ebsht\u00eb nj\u00eb kryevep\u00ebr lirike, e cila e pati lul\u00ebzimin e saj n\u00eb periudh\u00ebn e dyt\u00eb t\u00eb himnologji- s\u00eb, pas asaj t\u00eb zhvillimit t\u00eb tropare- ve, pik\u00ebrisht n\u00eb shek. VI-VII. K\u00ebt\u00eb em\u00ebrtim e mori nga membrana me t\u00eb cil\u00ebn mb\u00ebshtillej himni (eilitarion) ose sipas nj\u00eb k\u00ebrkimi tjet\u00ebr mori k\u00ebt\u00eb em\u00ebr nga prologu, (tropari hyr\u00ebs) i cili ishte i shpejt\u00eb (shkurt\u00ebr), dhe n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb jepte tem\u00ebn e shkurtores.<\/p>\n

Shkurtoret p\u00ebrb\u00ebhen nga prolo- gu dhe nga nj\u00eb s\u00ebr\u00eb troparesh, zako- nisht 20-30, t\u00eb cilat em\u00ebrtohen sht\u00eb- pi. Fjala \u201csht\u00ebpi\u201d n\u00eb hebraisht dhe latinisht himnologjikisht thekson nd\u00ebrtimin e jet\u00ebs s\u00eb nj\u00eb shenjtori apo t\u00eb nj\u00eb ngjarjeje n\u00eb m\u00ebnyr\u00eb poe- tike. Me an\u00eb t\u00eb prologut himnohet n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrmbledhur personi ose ngjarja p\u00ebr t\u00eb cilin \u00ebsht\u00eb shkruar shkurtorja, nd\u00ebrsa sht\u00ebpit\u00eb e para- qesin n\u00eb m\u00ebnyr\u00eb m\u00eb t\u00eb gjer\u00eb p\u00ebr- mbajtjen e prologut. Himnohet pra me an\u00eb t\u00eb shkurtores shenjtori ose ngjarja e shenjt\u00eb, p\u00ebr t\u00eb cilin \u00ebsht\u00eb kushtuar himni, me fjal\u00eb t\u00eb thjeshta dhe me stil t\u00eb lir\u00eb, n\u00eb form\u00ebn e nj\u00eb tregimi me shum\u00eb holl\u00ebsira. Karak- terin si tregim t\u00eb shkurtores e fuqi- zojn\u00eb m\u00eb shum\u00eb dialogjet midis per- sonave t\u00eb ndrysh\u00ebm, t\u00eb cil\u00ebt i japin nj\u00eb form\u00eb dramatizimi t\u00eb gjith\u00eb hi- storis\u00eb. Dhe sht\u00ebpia paraqitet si nj\u00eb sken\u00eb, n\u00eb t\u00eb cil\u00ebn poeti drejton persona t\u00eb ndrysh\u00ebm t\u00eb lidhur me ngjarjen, t\u00eb cil\u00ebt himnojn\u00eb duke dia- loguar. Personat e shenjt\u00eb paraqi-<\/p>\n

ten n\u00ebn imazhin e thjesht\u00ebsis\u00eb s\u00eb njeriut t\u00eb p\u00ebrditsh\u00ebm dhe japin n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb tregimin himnues t\u00eb dramatizuar. Karaktersitik\u00eb e shkurtores \u00ebsht\u00eb akrostika, nj\u00eb mjesh- t\u00ebri m\u00eb vete. Germa e par\u00eb e \u00e7do sht\u00eb- pie skiconte autor\u00ebsin\u00eb ose ndonj\u00eb mesazh q\u00eb autori donte t\u00eb p\u00ebrcillte.<\/p>\n

Pra, si\u00e7 e shohim shkurtorja nuk ka patur kuptimin e sotsh\u00ebm, thjesht t\u00eb leximit t\u00eb nj\u00eb tropari dhe si sht\u00ebpi t\u00eb nj\u00eb tropari tjet\u00ebr n\u00eb m\u00ebngjesore p\u00ebrpara sinaksarit, por ajo ishte nj\u00eb sh\u00ebrbes\u00eb e t\u00ebr\u00eb, e mb\u00ebshtjell\u00eb me t\u00eb v\u00ebrteta teologjike, mb\u00ebshtetur n\u00eb Shkrimin e Shenjt\u00eb dhe n\u00eb veprat e Et\u00ebrve dhe me nj\u00eb bukuri t\u00eb rrall\u00eb poetike. U shkruajt\u00ebn me dhjet\u00ebra shkurtore nga himnograf\u00eb t\u00eb m\u00eb- dhenj, por m\u00eb i spikaturi nd\u00ebr ta, maja e himnograf\u00ebve t\u00eb asaj kohe ishte Romano Melodiozi, i cili sipas tradit\u00ebs, mrekullisht e mori hirin e t\u00eb shkruarit shkurtore.<\/p>\n

Shkurtorja e vetme e plot\u00eb, e cila sot \u00ebsht\u00eb n\u00eb p\u00ebrdorim, \u00ebsht\u00eb sh\u00ebr- besa e \u201cHimnit Akathist\u201d. Ky himn i kushtohet Hyjlind\u00ebses. \u00cbsht\u00eb nj\u00eb sh\u00ebrbes\u00eb shum\u00eb e dashurp\u00ebr besim- tar\u00ebt orthodhoks\u00eb dhe kjo \u00ebsht\u00eb edhe nj\u00eb arsye themelore e mbije- timit t\u00eb saj n\u00eb shekuj. P\u00ebrb\u00ebhet prej 24 stanca, t\u00eb cilat ikonizojn\u00eb jet\u00ebn e s\u00eb T\u00ebr\u00ebshenjt\u00ebs dhe Virgj\u00ebresh\u00ebs Mari. Shum\u00eb kritik\u00eb besojn\u00eb se \u201cHimni Akathist\u201d \u00ebsht\u00eb kurora e himneve kishtare. Himni ka r\u00ebnd\u00ebsi t\u00eb madhe teologjike dhe letrare dhe rendit bekimet t\u00eb cilat erdh\u00ebn n\u00eb bot\u00eb n\u00ebp\u00ebrmjet Mish\u00ebrimit t\u00eb Fjal\u00ebs Hyjnore. Mori emrin akathist (q\u00eb- ndroj n\u00eb k\u00ebmb\u00eb), p\u00ebr arsye se ba- nor\u00ebt e Konstandinopoj\u00ebs t\u00eb udh\u00eb- hequr nga patriark Serxhi, kur u<\/p>\n

rrethuan prej Avar\u00ebve dhe Pers\u00ebve 626, duke q\u00ebndruar n\u00eb k\u00ebmb\u00eb gjat\u00eb nat\u00ebs s\u00eb 8 Gushtit i drejtuan himnin s\u00eb T\u00ebr\u00ebshenjt\u00ebs, e cila mrekullisht e ruajti qytetin nga sulmi i barbar\u00eb- ve. Patjet\u00ebr q\u00eb himni nuk u shkruajt k\u00ebt\u00eb nat\u00eb, por k\u00ebt\u00eb nat\u00eb ky himn u p\u00ebrdor, gj\u00eb q\u00eb na b\u00ebn t\u00eb ditur q\u00eb himni paraekzistonte. Kjo shkurtore shoq\u00ebrohet nga kanoni \u201cJa goj\u00ebn e \u00e7el tani…\u201d i cili \u00ebsht\u00eb vep\u00ebr e himno- grafit Iosif Kseni, me akrostik\u00eb \u201cHaras dokion si prepi herin moni, Josif \u2019 (\u201cty vet\u00ebm t\u00eb p\u00ebrket t\u00eb g\u00ebzo- hesh, o en\u00eb g\u00ebzimi, Josif\u2019) dhe psa- let irmologjikisht n\u00eb T.IV legjetos. Por Irmit\u00eb ve\u00e7se, p\u00ebrve\u00e7 t\u00eb kat\u00ebr- tit, jan\u00eb poezi e Joan Damaskinoit. Kanoni \u00ebsht\u00eb i ve\u00e7ant\u00eb p\u00ebr sa i p\u00ebr- ket g\u00ebzimit, shp\u00ebrthimit dhe entuzi- azmit q\u00eb lind prej tij, sa nga ana e fjal\u00ebs po aq dhe nga ana e t\u00eb psa- lur\u00ebs. Akrostika e k\u00ebtij himni \u00ebsht\u00eb rendi alfabetik i gjuh\u00ebs greke, e cila ka v\u00ebshtir\u00ebsuar studiuesit p\u00ebr t\u00eb caktuar autorin e k\u00ebsaj krijimtarie. Jepen mendime t\u00eb ndryshme rreth autor\u00ebsis\u00eb, por midis tyre mbase zot\u00ebron ai p\u00ebr Gjermanoin e par\u00eb.<\/p>\n

Brenda himnologjis\u00eb orthodho- kse mund v\u00ebresh shum\u00eb gj\u00ebra, himnograf\u00eb t\u00eb panum\u00ebrt, krijimtari t\u00eb pafundme, stile t\u00eb ndryshme, fja- l\u00eb t\u00eb ndryshme, por ajo q\u00eb \u00ebsht\u00eb e p\u00ebrbashk\u00ebt n\u00eb t\u00eb gjitha k\u00ebto, sipas mendimit tim, \u00ebsht\u00eb lutja e gjall\u00eb brenda saj dhe p\u00ebrjetimi i gjall\u00eb i himnograf\u00ebve q\u00eb e mbulon at\u00eb, i shoq\u00ebruar me lutje dhe me agj\u00ebri- me. \u00cbsht\u00eb nj\u00eb shprehje e brend- shme e pasuris\u00eb shpirt\u00ebrore t\u00eb tyre, e frym\u00ebzuar dhe e udh\u00ebhequr prej Shpirtit t\u00eb Shenjt\u00eb, i cili i ka shoq\u00eb- ruar k\u00ebta njer\u00ebz dhe nuk i ka l\u00ebn\u00eb t\u00eb gabojn\u00eb n\u00eb t\u00eb v\u00ebrtetat themelore e jetike t\u00eb dogm\u00ebs q\u00eb vet\u00eb Zoti yn\u00eb Jisu Krisht themeloi me ardhjen e Tij n\u00eb tok\u00eb. Jan\u00eb fjal\u00eb t\u00eb shk\u00ebputura nga romani i jet\u00ebs s\u00eb tyre, jan\u00eb krijime nga p\u00ebrjetimi i tyre i gjall\u00eb m\u00eb Zotin. Dhe ne sot ftohemi q\u00eb t\u00eb shi- jojm\u00eb nga fruti i pun\u00ebve dhe t\u00eb ma- rrim pjes\u00eb n\u00eb p\u00ebrjetimin e tyre dhe kjo gj\u00eb duhet t\u00eb na jap\u00eb forc\u00eb, kuraj\u00eb, zell p\u00ebr t\u00eb ndjekur shembu- llin q\u00eb ata na paraqesin dhe t\u00eb gjej- m\u00eb vetveten brenda k\u00ebtij realiteti kaq t\u00eb fuqish\u00ebm.<\/p>\n

Harallamb TERZIU, pedagog
\ni Muzik\u00ebs Bizantine, n\u00eb
\nAkademin\u00eb Teologjike<\/p>\n

Himnologjia
\ndhe Muzika Bizantine,
\nbrenda adhurimit
\nZhvillimi i Himnologjis\u00eb dhe
\narritjet e saj n\u00eb shekuj.
\n-Shkurtorja dhe Himni Akathist-
\n(vijon nga numri i kaluar)
\nSi\u00e7 e kemi theksuar, himnet ki-
\nshtare nis\u00ebn si krijime t\u00eb thjeshta,
\npjes\u00eb e lutjes s\u00eb sinqert\u00eb t\u00eb besim-
\ntar\u00ebve t\u00eb par\u00eb. Krishterimi, duke u
\nlindur brenda fush\u00ebs hebraike,
\n\u00ebsht\u00eb e natyrshme q\u00eb p\u00ebrfshiu mi\u00ad
\ndis t\u00eb tjerave dhe himnet hebraike
\nt\u00eb cilat ishin n\u00eb p\u00ebrdorim, Psalmet.
\nPor me kalimin e koh\u00ebs himnologjia
\npati nj\u00eb rritje drastike, e cila \u00e7oi n\u00eb
\nkrijime madh\u00ebshtore si\u00e7 jan\u00eb Shku-
\nrtoret ose Kanonet. Pik\u00ebrisht rreth
\nShkurtores do t\u00eb desha t\u00eb ndaloja
\ne t\u00eb flisja m\u00eb gjer\u00ebsisht.
\nShkurtorja \u00ebsht\u00eb nj\u00eb kryevep\u00ebr
\nlirike, e cila e pati lul\u00ebzimin e saj
\nn\u00eb periudh\u00ebn e dyt\u00eb t\u00eb himnologji-
\ns\u00eb, pas asaj t\u00eb zhvillimit t\u00eb tropare-
\nve, pik\u00ebrisht n\u00eb shek. VI-VII. K\u00ebt\u00eb
\nem\u00ebrtim e mori nga membrana me
\nt\u00eb cil\u00ebn mb\u00ebshtillej himni (eilitarion)
\nose sipas nj\u00eb k\u00ebrkimi tjet\u00ebr mori k\u00ebt\u00eb
\nem\u00ebr nga prologu, (tropari hyr\u00ebs) i
\ncili ishte i shpejt\u00eb (shkurt\u00ebr), dhe
\nn\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb jepte tem\u00ebn e
\nshkurtores.
\nShkurtoret p\u00ebrb\u00ebhen nga prolo-
\ngu dhe nga nj\u00eb s\u00ebr\u00eb troparesh, zako-
\nnisht 20-30, t\u00eb cilat em\u00ebrtohen sht\u00eb-
\npi. Fjala \u201csht\u00ebpi\u201d n\u00eb hebraisht dhe
\nlatinisht himnologjikisht thekson
\nnd\u00ebrtimin e jet\u00ebs s\u00eb nj\u00eb shenjtori
\napo t\u00eb nj\u00eb ngjarjeje n\u00eb m\u00ebnyr\u00eb poe-
\ntike. Me an\u00eb t\u00eb prologut himnohet
\nn\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrmbledhur personi
\nose ngjarja p\u00ebr t\u00eb cilin \u00ebsht\u00eb shkruar
\nshkurtorja, nd\u00ebrsa sht\u00ebpit\u00eb e para-
\nqesin n\u00eb m\u00ebnyr\u00eb m\u00eb t\u00eb gjer\u00eb p\u00ebr-
\nmbajtjen e prologut. Himnohet pra
\nme an\u00eb t\u00eb shkurtores shenjtori ose
\nngjarja e shenjt\u00eb, p\u00ebr t\u00eb cilin \u00ebsht\u00eb
\nkushtuar himni, me fjal\u00eb t\u00eb thjeshta
\ndhe me stil t\u00eb lir\u00eb, n\u00eb form\u00ebn e nj\u00eb
\ntregimi me shum\u00eb holl\u00ebsira. Karak-
\nterin si tregim t\u00eb shkurtores e fuqi-
\nzojn\u00eb m\u00eb shum\u00eb dialogjet midis per-
\nsonave t\u00eb ndrysh\u00ebm, t\u00eb cil\u00ebt i japin
\nnj\u00eb form\u00eb dramatizimi t\u00eb gjith\u00eb hi-
\nstoris\u00eb. Dhe sht\u00ebpia paraqitet si nj\u00eb
\nsken\u00eb, n\u00eb t\u00eb cil\u00ebn poeti drejton per\u00ad
\nsona t\u00eb ndrysh\u00ebm t\u00eb lidhur me
\nngjarjen, t\u00eb cil\u00ebt himnojn\u00eb duke dia-
\nloguar. Personat e shenjt\u00eb paraqi-
\nten n\u00ebn imazhin e thjesht\u00ebsis\u00eb s\u00eb
\nnjeriut t\u00eb p\u00ebrditsh\u00ebm dhe japin n\u00eb
\nk\u00ebt\u00eb m\u00ebnyr\u00eb tregimin himnues t\u00eb
\ndramatizuar. Karaktersitik\u00eb e shkur\u00ad
\ntores \u00ebsht\u00eb akrostika, nj\u00eb mjesh-
\nt\u00ebri m\u00eb vete. Germa e par\u00eb e \u00e7do sht\u00eb-
\npie skiconte autor\u00ebsin\u00eb ose ndonj\u00eb
\nmesazh q\u00eb autori donte t\u00eb p\u00ebrcillte.
\nPra, si\u00e7 e shohim shkurtorja nuk
\nka patur kuptimin e sotsh\u00ebm, thjesht
\nt\u00eb leximit t\u00eb nj\u00eb tropari dhe si sht\u00ebpi
\nt\u00eb nj\u00eb tropari tjet\u00ebr n\u00eb m\u00ebngjesore
\np\u00ebrpara sinaksarit, por ajo ishte nj\u00eb
\nsh\u00ebrbes\u00eb e t\u00ebr\u00eb, e mb\u00ebshtjell\u00eb me
\nt\u00eb v\u00ebrteta teologjike, mb\u00ebshtetur n\u00eb
\nShkrimin e Shenjt\u00eb dhe n\u00eb veprat
\ne Et\u00ebrve dhe me nj\u00eb bukuri t\u00eb rrall\u00eb
\npoetike. U shkruajt\u00ebn me dhjet\u00ebra
\nshkurtore nga himnograf\u00eb t\u00eb m\u00eb-
\ndhenj, por m\u00eb i spikaturi nd\u00ebr ta,
\nmaja e himnograf\u00ebve t\u00eb asaj kohe
\nishte Romano Melodiozi, i cili sipas
\ntradit\u00ebs, mrekullisht e mori hirin e
\nt\u00eb shkruarit shkurtore.
\nShkurtorja e vetme e plot\u00eb, e ci\u00ad
\nla sot \u00ebsht\u00eb n\u00eb p\u00ebrdorim, \u00ebsht\u00eb sh\u00ebr-
\nbesa e \u201cHimnit Akathist\u201d. Ky himn
\ni kushtohet Hyjlind\u00ebses. \u00cbsht\u00eb nj\u00eb
\nsh\u00ebrbes\u00eb shum\u00eb e dashurp\u00ebr besim-
\ntar\u00ebt orthodhoks\u00eb dhe kjo \u00ebsht\u00eb
\nedhe nj\u00eb arsye themelore e mbije-
\ntimit t\u00eb saj n\u00eb shekuj. P\u00ebrb\u00ebhet prej
\n24 stanca, t\u00eb cilat ikonizojn\u00eb jet\u00ebn
\ne s\u00eb T\u00ebr\u00ebshenjt\u00ebs dhe Virgj\u00ebresh\u00ebs
\nMari. Shum\u00eb kritik\u00eb besojn\u00eb se
\n\u201cHimni Akathist\u201d \u00ebsht\u00eb kurora e
\nhimneve kishtare. Himni ka r\u00ebnd\u00ebsi
\nt\u00eb madhe teologjike dhe letrare dhe
\nrendit bekimet t\u00eb cilat erdh\u00ebn n\u00eb
\nbot\u00eb n\u00ebp\u00ebrmjet Mish\u00ebrimit t\u00eb Fjal\u00ebs
\nHyjnore. Mori emrin akathist (q\u00eb-
\nndroj n\u00eb k\u00ebmb\u00eb), p\u00ebr arsye se ba-
\nnor\u00ebt e Konstandinopoj\u00ebs t\u00eb udh\u00eb-
\nhequr nga patriark Serxhi, kur u
\nrrethuan prej Avar\u00ebve dhe Pers\u00ebve
\n626, duke q\u00ebndruar n\u00eb k\u00ebmb\u00eb gjat\u00eb
\nnat\u00ebs s\u00eb 8 Gushtit i drejtuan himnin
\ns\u00eb T\u00ebr\u00ebshenjt\u00ebs, e cila mrekullisht
\ne ruajti qytetin nga sulmi i barbar\u00eb-
\nve. Patjet\u00ebr q\u00eb himni nuk u shkruajt
\nk\u00ebt\u00eb nat\u00eb, por k\u00ebt\u00eb nat\u00eb ky himn u
\np\u00ebrdor, gj\u00eb q\u00eb na b\u00ebn t\u00eb ditur q\u00eb hi\u00ad
\nmni paraekzistonte. Kjo shkurtore
\nshoq\u00ebrohet nga kanoni \u201cJa goj\u00ebn e
\n\u00e7el tani…\u201d i cili \u00ebsht\u00eb vep\u00ebr e himno-
\ngrafit Iosif Kseni, me akrostik\u00eb
\n\u201cHaras dokion si prepi herin moni,
\nJosif \u2019 (\u201cty vet\u00ebm t\u00eb p\u00ebrket t\u00eb g\u00ebzo-
\nhesh, o en\u00eb g\u00ebzimi, Josif\u2019) dhe psa-
\nlet irmologjikisht n\u00eb T.IV legjetos.
\nPor Irmit\u00eb ve\u00e7se, p\u00ebrve\u00e7 t\u00eb kat\u00ebr-
\ntit, jan\u00eb poezi e Joan Damaskinoit.
\nKanoni \u00ebsht\u00eb i ve\u00e7ant\u00eb p\u00ebr sa i p\u00ebr-
\nket g\u00ebzimit, shp\u00ebrthimit dhe entuzi-
\nazmit q\u00eb lind prej tij, sa nga ana e
\nfjal\u00ebs po aq dhe nga ana e t\u00eb psa-
\nlur\u00ebs. Akrostika e k\u00ebtij himni \u00ebsht\u00eb
\nrendi alfabetik i gjuh\u00ebs greke, e cila
\nka v\u00ebshtir\u00ebsuar studiuesit p\u00ebr t\u00eb
\ncaktuar autorin e k\u00ebsaj krijimtarie.
\nJepen mendime t\u00eb ndryshme rreth
\nautor\u00ebsis\u00eb, por midis tyre mbase
\nzot\u00ebron ai p\u00ebr Gjermanoin e par\u00eb.
\nBrenda himnologjis\u00eb orthodho-
\nkse mund v\u00ebresh shum\u00eb gj\u00ebra,
\nhimnograf\u00eb t\u00eb panum\u00ebrt, krijimtari
\nt\u00eb pafundme, stile t\u00eb ndryshme, fja-
\nl\u00eb t\u00eb ndryshme, por ajo q\u00eb \u00ebsht\u00eb e
\np\u00ebrbashk\u00ebt n\u00eb t\u00eb gjitha k\u00ebto, sipas
\nmendimit tim, \u00ebsht\u00eb lutja e gjall\u00eb
\nbrenda saj dhe p\u00ebrjetimi i gjall\u00eb i
\nhimnograf\u00ebve q\u00eb e mbulon at\u00eb, i
\nshoq\u00ebruar me lutje dhe me agj\u00ebri-
\nme. \u00cbsht\u00eb nj\u00eb shprehje e brend-
\nshme e pasuris\u00eb shpirt\u00ebrore t\u00eb tyre,
\ne frym\u00ebzuar dhe e udh\u00ebhequr prej
\nShpirtit t\u00eb Shenjt\u00eb, i cili i ka shoq\u00eb-
\nruar k\u00ebta njer\u00ebz dhe nuk i ka l\u00ebn\u00eb
\nt\u00eb gabojn\u00eb n\u00eb t\u00eb v\u00ebrtetat themelore
\ne jetike t\u00eb dogm\u00ebs q\u00eb vet\u00eb Zoti yn\u00eb
\nJisu Krisht themeloi me ardhjen e
\nTij n\u00eb tok\u00eb. Jan\u00eb fjal\u00eb t\u00eb shk\u00ebputura
\nnga romani i jet\u00ebs s\u00eb tyre, jan\u00eb kri\u00ad
\njime nga p\u00ebrjetimi i tyre i gjall\u00eb m\u00eb
\nZotin. Dhe ne sot ftohemi q\u00eb t\u00eb shi-
\njojm\u00eb nga fruti i pun\u00ebve dhe t\u00eb ma-
\nrrim pjes\u00eb n\u00eb p\u00ebrjetimin e tyre dhe
\nkjo gj\u00eb duhet t\u00eb na jap\u00eb forc\u00eb,
\nkuraj\u00eb, zell p\u00ebr t\u00eb ndjekur shembu-
\nllin q\u00eb ata na paraqesin dhe t\u00eb gjej-
\nm\u00eb vetveten brenda k\u00ebtij realiteti
\nkaq t\u00eb fuqish\u00ebm.
\nHarallamb TERZIU, pedagog
\ni Muzik\u00ebs Bizantine, n\u00eb
\nAkademin\u00eb Teologjike<\/p>\n","protected":false},"excerpt":{"rendered":"

Material nga Qershor 2007.<\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"nentitulli":"","numri":"6 (173)","viti":"2007","muaji":"Qershor","muaji_numer":"6","dita":"","faqet":"[5]","fjale_kyce":"[\"Himnologjia\", \"Muzika\", \"Bizantine\", \"brenda\", \"adhurimit\"]","permbledhje":"Material nga Qershor 2007.","autori":"","kategoria":"Artikull","kryeredaktor":"Thoma Dhima"},"ngjallja_kategoria":[9653],"ngjallja_autori":[],"ngjallja_viti":[11325],"ngjallja_kryeredaktor":[9473],"class_list":["post-87541","ngjallja_article","type-ngjallja_article","status-publish","hentry","ngjallja_kategoria-artikull","ngjallja_viti-11325","ngjallja_kryeredaktor-thoma-dhima"],"acf":[],"yoast_head":"\nHimnologjia dhe Muzika Bizantine, brenda adhurimit - Kisha Orthodhokse Autoqefale e Shqip\u00ebris\u00eb<\/title>\n<meta name=\"description\" content=\"Life, faith and witness of the Orthodox Church in Albania.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/himnologjia-dhe-muzika-bizantine-brenda-adhurimit-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"website\" \/>\n<meta property=\"og:title\" content=\"Orthodox Autocephalous Church of Albania\" \/>\n<meta property=\"og:description\" content=\"Life, faith and witness of the Orthodox Church in Albania.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/orthodoxalbania.org\/2026\/wp-json\/wp\/v2\/ngjallja-articles\/87541\" \/>\n<meta property=\"og:site_name\" content=\"Orthodox Autocephalous Church of Albania\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/koash1991\" \/>\n<meta property=\"og:image\" content=\"https:\/\/orthodoxalbania.org\/2026\/wp-content\/themes\/orthodoxalbania-agent-6\/assets\/social-share-official-logo-v0528.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Orthodox Autocephalous Church of Albania\" \/>\n<meta name=\"twitter:description\" content=\"Life, faith and witness of the Orthodox Church in Albania.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/orthodoxalbania.org\/2026\/wp-content\/themes\/orthodoxalbania-agent-6\/assets\/social-share-official-logo-v0528.png\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/himnologjia-dhe-muzika-bizantine-brenda-adhurimit-2\/\",\"url\":\"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/himnologjia-dhe-muzika-bizantine-brenda-adhurimit-2\/\",\"name\":\"Himnologjia dhe Muzika Bizantine, brenda adhurimit - 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