Aspekte t\u00eb artit paleokristian n\u00eb Shqip\u00ebri
\nNdon\u00ebse arti i krisht\u00ebrimit
\nu mb\u00ebshtet dhe shfryt\u00ebzoi
\nshum\u00eb element\u00eb t\u00eb tradit\u00ebs, q\u00eb
\nn\u00eb fillimet e veta k\u00ebmb\u00ebnguli
\nt\u2019i interpretoj\u00eb ato dhe m\u00eb von\u00eb,
\nt\u2019i zhvilloj\u00eb p\u00ebr q\u00ebllime t\u00eb cak-
\ntuara t\u00eb dogm\u00ebs dhe p\u00ebr kriji-
\nmin e tradit\u00ebs s\u00eb re vetiake
\nartistike. N\u00eb mozaikun e Ara-
\npajt (Durr\u00ebs), spikat m\u00eb duk-
\nsh\u00ebm lidhja me tradit\u00ebn, por
\nedhe fillesa e interpretimit t\u00eb
\nsaj p\u00ebr q\u00ebllimet e fes\u00eb s\u00eb re. N\u00eb-
\nse n\u00eb antikitet kafsha vritej, n\u00eb
\nsken\u00ebn e gjuetis\u00eb s\u00eb k\u00ebtij mo-
\nzaiku ajo zbutet e kultivohet,
\nduke n\u00ebnkuptuar q\u00ebndrim ba-
\nritor t\u00eb kish\u00ebs ndaj besimtarit.
\nNga konceptimi tradicional
\nantik shk\u00ebputet ndjesh\u00ebm
\nmozaiku thjesht ornamental,
\narritjen m\u00eb t\u00eb sh\u00ebnuar t\u00eb t\u00eb
\ncilit, e p\u00ebrfaq\u00ebson Pag\u00ebzimorja
\ne Butrintit, q\u00eb shpreh filles\u00ebn
\ne nj\u00eb arti abstrakt, t\u00eb alegoris\u00eb
\ndhe t\u00eb simbolit. K\u00ebto tipare
\nformulohen m\u00eb qart\u00eb n\u00eb mo-
\nzaik\u00ebt e Mesaplikut (Vlor\u00eb) dhe
\nAntigones\u00eb (Gjirokast\u00ebr), ku
\nkemi edhe prefigurimet e
\nt\u00ebrthorta m\u00eb t\u00eb hershme t\u00eb
\nPer\u00ebndis\u00eb. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb,
\nfigura antropozoomorfe me
\nkok\u00eb qeni e trup njeriu e Anti-
\ngones\u00eb, p\u00ebrb\u00ebn, jo vet\u00ebm p\u00ebr ve\u00ad
\nndin ton\u00eb por p\u00ebr artin paleo\u00ad
\nkristian n\u00eb p\u00ebrgjith\u00ebsi, mbase
\ndokumentin m\u00eb t\u00eb hersh\u00ebm t\u00eb
\nparaqitjes figurative t\u00eb Sh\u00ebn
\nKristoforit.
\nN\u00eb vendin ton\u00eb veprat e
\npara me stil bizantin jan\u00eb ko-
\nnsideruar mozaik\u00ebt muror\u00eb n\u00eb
\nkapel\u00ebn e Amfiteatrit n\u00eb Du-
\nrr\u00ebs, realizuar n\u00eb shek. VI-VII,
\nmbi nj\u00eb sip\u00ebrfaqe q\u00eb koh\u00eb m\u00eb
\npar\u00eb ka qen\u00eb e mbuluar me
\nafreske. D\u00ebmtimet mbi at\u00eb
\npjes\u00eb t\u00eb afreskut t\u00eb l\u00ebn\u00eb t\u00eb
\npaprekur nga mozaicist\u00ebt kan\u00eb
\ndh\u00ebn\u00eb mund\u00ebsi t\u00eb zbulojn\u00eb
\nparaqitjen e Krishtit Panto-
\nkrator n\u00eb tipin e hersh\u00ebm iko-
\nnografik t\u00eb ngjizur p\u00ebrfundi-
\nmisht n\u00eb shek. e V
\nZbulimi i Pantokratorit i jep
\nmund\u00ebsi t\u00eb zgjidhet p\u00ebrfu-
\nndimisht edhe debati rreth
\nfigur\u00ebs qendrore t\u00eb mozaikut
\nmuror, q\u00eb nuk paraqet tjet\u00ebr
\nve\u00e7se Sh\u00ebn M\u00ebrin\u00eb tip Pera-
\nndoresh\u00eb.
\nVeprat dhe monumentet e
\nartit paleokristian d\u00ebshmojn\u00eb
\np\u00ebr p\u00ebrhapjen e shpejt\u00eb t\u00eb
\nkrisht\u00ebrimit n\u00eb hap\u00ebsir\u00ebn Hire<\/p>\n
si dhe dokumentojn\u00eb procesin
\ne nd\u00ebrlikuar historik, gjat\u00eb t\u00eb
\ncilit lind\u00ebn tiparet e stilit t\u00eb ri
\ndhe u poq\u00ebn ato dora – dor\u00ebs
\nderi n\u00eb formimin e artit t\u00eb
\nmir\u00ebfillt\u00eb bizantin.<\/p>\n","protected":false},"excerpt":{"rendered":"
Material nga Mars 2002.<\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"nentitulli":"","numri":"3 (113)","viti":"2002","muaji":"Mars","muaji_numer":"3","dita":"","faqet":"[9]","fjale_kyce":"[\"Aspekte\", \"artit\", \"paleokristian\", \"Shqip\u00ebri\"]","permbledhje":"Material nga Mars 2002.","autori":"","kategoria":"Artikull","kryeredaktor":"Thoma Dhima"},"ngjallja_kategoria":[9653],"ngjallja_autori":[],"ngjallja_viti":[10877],"ngjallja_kryeredaktor":[9473],"class_list":["post-85701","ngjallja_article","type-ngjallja_article","status-publish","hentry","ngjallja_kategoria-artikull","ngjallja_viti-10877","ngjallja_kryeredaktor-thoma-dhima"],"acf":[],"yoast_head":"\n