{"id":85660,"date":"2026-06-01T02:51:35","date_gmt":"2026-06-01T00:51:35","guid":{"rendered":"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/piktura-mesjetare-dhe-piktoret-ne-kishat-e-kalase-se-qytetit-te-beratit\/"},"modified":"2026-06-01T02:51:35","modified_gmt":"2026-06-01T00:51:35","slug":"piktura-mesjetare-dhe-piktoret-ne-kishat-e-kalase-se-qytetit-te-beratit","status":"publish","type":"ngjallja_article","link":"https:\/\/orthodoxalbania.org\/2026\/ngjallja\/piktura-mesjetare-dhe-piktoret-ne-kishat-e-kalase-se-qytetit-te-beratit\/","title":{"rendered":"Piktura mesjetare dhe piktor\u00ebt n\u00eb kishat e kalas\u00eb s\u00eb qytetit t\u00eb Beratit"},"content":{"rendered":"<p>P1KTURA<br \/>\nMESJETARE<br \/>\nDHE  PIKTOR\u00cbT<br \/>\nN\u00cb  KISHAT<br \/>\nE  KALAS\u00cb<br \/>\ns\u00eb B eratit<br \/>\nProf. Dr.<br \/>\nHasan  Nallbani<br \/>\nMe  tipare mjaft hetero-<br \/>\ngjene piktura kishtare n\u00eb<br \/>\nkishat e kalas\u00eb s\u00eb qytetit t\u00eb<br \/>\nBeratit \u00ebsht\u00eb pasqyr\u00eb e jet\u00ebs<br \/>\ndhe zhvillimit kulturor tep\u00ebr<br \/>\nkompleks t\u00eb historis\u00eb mesje-<br \/>\ntare t\u00eb qytetit. Ajo zhvillohet n\u00eb<br \/>\np\u00ebrmasa  t\u00eb reduktuara  megji-<br \/>\nth\u00ebse her\u00eb-her\u00eb e lidhur me<br \/>\nartin e kultivuar t\u00eb qendr\u00ebs.<br \/>\nPikturat e Kish\u00ebs s\u00eb Sh\u00ebn<br \/>\nTriadh\u00ebs ofrojn\u00eb tregues t\u00eb<br \/>\nstilit ikonografik tradicio-<br \/>\nnalisht t\u00eb njohur t\u00eb shek. XII.<br \/>\nT\u00eb nj\u00ebjtin gjejm\u00eb edhe n\u00eb<br \/>\nikonat e k\u00ebsaj periudhe. Fat-<br \/>\nkeq\u00ebsisht nuk ruhen nd\u00ebrtime<br \/>\nkishtare me  tipologji t\u00eb qart\u00eb<br \/>\ndhe cik\u00ebl t\u00eb plot\u00eb temash  iko-<br \/>\nnografike. Mbetjet e pikturave<br \/>\nt\u00eb diakonikonit t\u00eb kish\u00ebs s\u00eb<\/p>\n<p>Sh\u00ebn Mari  Vllahern\u00ebs dhe ato<br \/>\nt\u00eb brezit fundor t\u00eb hapsid\u00ebs s\u00eb<br \/>\nkish\u00ebs s\u00eb Sh\u00ebn Todrit, duke<br \/>\np\u00ebrfshir\u00eb edhe fragmentet e<br \/>\nmozaik\u00ebve paleokristiane, t\u00eb<br \/>\nzbuluar pran\u00eb kish\u00ebs s\u00eb Sh\u00ebn<br \/>\nTriadh\u00ebs d\u00ebshmojn\u00eb p\u00ebr nj\u00eb<br \/>\nveprimtari nd\u00ebrtimore dhe<br \/>\nartistike e cila ka  l\u00ebn\u00eb vet\u00ebm<br \/>\ngjurm\u00ebt e saja.<br \/>\nPikturat murale  n\u00eb kishat<br \/>\ne kalas\u00eb s\u00eb Beratit nuk  paraqe-<br \/>\nsin vazhdim\u00ebsi kohore p\u00ebr k\u00ebto<br \/>\narsye nj\u00eb ndjekje kronologjike<br \/>\ne tyre \u00ebsht\u00eb e v\u00ebshtir\u00eb. Tipik<br \/>\n\u00ebsht\u00eb fakti se mbi strukturat e<br \/>\nvjetra gjejm\u00eb shum\u00eb  rind\u00ebrtime,<br \/>\nt\u00eb cilat nuk  respektojn\u00eb skemat<br \/>\nklasike fillestare, i modifikojn\u00eb<br \/>\nato, duke i ripikturuar si rrje-<br \/>\ndhim  cikli ikonografik nuk ru-<\/p>\n<p>het asnj\u00ebher\u00eb i plot\u00eb.<br \/>\n&#8230;Berati edhe pse nuk<br \/>\np\u00ebrb\u00ebn nj\u00eb qend\u00ebr t\u00eb madhe  t\u00eb<br \/>\nartit paraqet  nj\u00eb zhvillim miks,<br \/>\nme  tipare t\u00eb dallueshme t\u00eb artit<br \/>\nbizantin e pasbizantin n\u00eb tre\u00ad<br \/>\nvat e veriut.<br \/>\nK\u00ebshtu, pikturat e kish\u00ebs<br \/>\ns\u00eb Sh\u00ebn Triadh\u00ebs p\u00ebrb\u00ebjn\u00eb<br \/>\nmonumentin  e vet\u00ebm, n\u00eb t\u00eb cilin<br \/>\nmund  t\u00eb gjejm\u00eb tiparet e qarta<br \/>\nt\u00eb piktur\u00ebs s\u00eb paleolog\u00ebve n\u00eb<br \/>\nBerat. M\u00eb  i qarti \u00ebsht\u00eb kuadri i<br \/>\nzhvillimit t\u00eb piktur\u00ebs pasbizan-<br \/>\ntine n\u00eb kalan\u00eb  e qytetit, n\u00ebp\u00ebr-<br \/>\nmjet shqyrtimit t\u00eb ikonografis\u00eb<br \/>\ndhe stilit t\u00eb kishave m\u00eb  t\u00eb shu\u00ad<br \/>\nmta  n\u00eb num\u00ebr, t\u00eb nd\u00ebrtuara pas<br \/>\nshek. XV. Pikturat e k\u00ebsaj pe\u00ad<br \/>\nriudhe t\u00eb realizuara n\u00eb kushte<br \/>\n(Vijon n\u00eb faqen 10)<\/p>\n<p>PlKTURA MESJETARE  DHE  PIKTOR\u00cbT N\u00cb  KISHAT E KALAS\u00cb S\u00cb QYTETIT T\u00cb BERATIT<br \/>\nekonomike e shoq\u00ebrore t\u00eb<br \/>\nfavorshme reflektojn\u00eb kriz\u00ebn<br \/>\npolitike dhe intoleranc\u00ebn fetare<br \/>\nt\u00eb pushtetit t\u00eb perandoris\u00eb<br \/>\nosmane. Ndryshe nga  periudha<br \/>\nbizantine kishat dhe pikturat<br \/>\ne k\u00ebsaj periudhe jan\u00eb nd\u00ebrtime<br \/>\nt\u00eb thjeshta, ose rind\u00ebrtime t\u00eb<br \/>\npikturuara pjes\u00ebrisht ose edhe<br \/>\nt\u00ebr\u00ebsisht me  cik\u00ebl m\u00eb  t\u00eb kufi-<br \/>\nzuar dhe me  p\u00ebrmasa  q\u00eb ngjaj-<br \/>\nn\u00eb me  nd\u00ebrtimet e banimit.<br \/>\nK\u00ebshtu nd\u00ebrsa piktura e<br \/>\nperiudh\u00ebs bizantine \u00ebsht\u00eb e<br \/>\nlidhur me  artin e kultivuar t\u00eb<br \/>\nqendrave artistike, piktura<br \/>\npasbizantine karakterizohet<br \/>\nnga  elemente m\u00eb  t\u00eb shumta<br \/>\nlokale, duke reflektuar jo vet\u00ebm<br \/>\nn\u00eb zgjidhjet ikonografike, por<br \/>\nedhe n\u00eb realizimin teknik t\u00eb<br \/>\npikturave. Pas  shek. XVII,<br \/>\nnd\u00ebrtimi dhe pikturimi i<br \/>\nkishave n\u00eb kala  fiton p\u00ebrmasa<br \/>\nt\u00eb tjera. Ato edhe pse shpesh<br \/>\nnd\u00ebrtohen mbi themele e<br \/>\nplanimetri t\u00eb vjetra, kan\u00eb<br \/>\nrritur p\u00ebrmasat&#8230; Stili dhe<br \/>\nteknika e pikturave tregon<br \/>\np\u00ebrpjekjet p\u00ebr rinovimin e<br \/>\ngjuh\u00ebs artistike t\u00eb piktur\u00ebs<br \/>\nkishtare e cila n\u00eb kushtet me<br \/>\nt\u00eb favorshme ekonomike e<br \/>\npolitike si rezultat i forcimit t\u00eb<br \/>\npashall\u00ebqeve dhe dob\u00ebsimit t\u00eb<br \/>\npushtetit t\u00eb Port\u00ebs s\u00eb Lart\u00eb<br \/>\nmundohet  t\u00eb shtoj\u00eb p\u00ebrmasat  e<br \/>\nnd\u00ebrtimeve, pa  arritur t\u00eb zgji-<br \/>\ndh\u00eb n\u00eb nivel mjesht\u00ebror piktu-<br \/>\nrimin e tyre.<br \/>\nCil\u00ebt jan\u00eb piktor\u00ebt q\u00eb lan\u00eb<br \/>\nvepr\u00ebn e tyre n\u00eb muret dhe<br \/>\nikonostaset e kishave n\u00eb kala?<\/p>\n<p>P\u00ebrve\u00e7 Onuf\u00ebr Qipriotit, autor<br \/>\nq\u00eb n\u00ebnshkruan  pikturat e tij<br \/>\n\u00ebsht\u00eb Nikolla. N\u00eb kala  Onufri i<br \/>\nShelcanit pikturon bem\u00ebn dhe<br \/>\nhapsid\u00ebn e kish\u00ebs s\u00eb Sh\u00ebn<br \/>\nTodrit.<br \/>\nNga  vjen e \u00e7far\u00eb tradite<br \/>\np\u00ebrfaq\u00ebson Qiprioti? Zakoni p\u00ebr<br \/>\nt\u00eb n\u00ebnshkruar ikonat dhe<br \/>\npikturat murale ka  origjin\u00ebn<br \/>\nnga  pikturat e shkoll\u00ebs veneci-<br \/>\nane  t\u00eb piktur\u00ebs greke, si edhe<br \/>\nnga  piktor\u00ebt e ishujve t\u00eb<br \/>\nGreqis\u00eb. E r\u00ebnd\u00ebsishme \u00ebsht\u00eb<\/p>\n<p>q\u00eb Qiprioti ka  nj\u00eb aktivitet t\u00eb |<br \/>\npasur n\u00eb Berat. Emrin  e tij e |<br \/>\ngjejm\u00eb edhe n\u00eb piktur\u00ebn e \u0964<br \/>\nobjekteve t\u00eb bukura t\u00eb ikono\u00ad<br \/>\nstasit t\u00eb kish\u00ebs s\u00eb Sh\u00ebn M\u00ebri &#8216;<br \/>\nVllahern\u00ebs. P\u00ebr veprimtarin\u00eb e I<br \/>\nOnufrit t\u00eb Shelcanit n\u00eb Berat |<\/p>\n<p>. nuk  ka  mbishkrime ktitorike e<br \/>\nt\u00eb dh\u00ebna  t\u00eb tjera, ve\u00e7 konklu-<br \/>\n&#8216; zioneve si rezultat i vrojtimeve<br \/>\nI krahasuese  me  piktur\u00ebn e<br \/>\nI Shelcanit e Val\u00ebshit, t\u00eb<br \/>\nI n\u00ebnshkruar nga  piktori Niko-<br \/>\n| lla, piktori q\u00eb cil\u00ebsohet si djal\u00eb<br \/>\n| i Onufrit t\u00eb Shelcanit. Mbi<br \/>\nI baz\u00ebn e mbishkrimit ktitorik n\u00eb<br \/>\nI kish\u00ebn e Vllahern\u00ebs ai ka  n\u00ebn-<br \/>\nI shkruar edhe disa ikona, q\u00eb i<br \/>\n\u0964 p\u00ebrkasin ikonostasit t\u00eb k\u00ebsaj<br \/>\nkishe dhe q\u00eb kan\u00eb  pajisur nj\u00eb<br \/>\n1 pjes\u00eb t\u00eb ikonostasit, ku kan\u00eb<br \/>\nqen\u00eb dyert e bukura t\u00eb n\u00ebn-<br \/>\nshkruara  nga  Onuf\u00ebr Qiprioti.<br \/>\nDuhet t\u00eb sh\u00ebnojm\u00eb, q\u00eb emri i<br \/>\nQipriotit n\u00eb dyert e bukura<br \/>\n\u00ebsht\u00eb gjetur von\u00eb, gjat\u00eb nj\u00eb<br \/>\npastrimi dhe \u00e7lirimi t\u00eb tij nga<br \/>\nripikturimet e m\u00ebvonshme.<br \/>\nB\u00ebjm\u00eb  pyetjen, p\u00ebr cilin Onuf\u00ebr<br \/>\n\u00ebsht\u00eb fjala n\u00eb mbishkrimin e<br \/>\nVllahern\u00ebs, t\u00eb p\u00ebrkthyer dhe t\u00eb<br \/>\ninterpretuar nga  Th. Popa:  p\u00ebr<br \/>\npiktorin e Shelcanit apo p\u00ebr<br \/>\nautorin e piktur\u00ebs s\u00eb dyerve t\u00eb<br \/>\nbukura, piktur\u00ebs s\u00eb Sh\u00ebn Kollit<br \/>\npran\u00eb Vllahern\u00ebs dhemjaft<br \/>\nikonave t\u00eb tjera n\u00eb kishat e<br \/>\nkalas\u00eb, q\u00eb Qiprioti i ka  n\u00ebn-<br \/>\nshkruar?<br \/>\nAnaliza e stilit, ikonogra-<br \/>\nfis\u00eb dhe teknik\u00ebs s\u00eb pikturave<br \/>\nmurale e ve\u00e7an\u00ebrisht t\u00eb<br \/>\nikonave t\u00eb t\u00eb dy autor\u00ebve, b\u00ebjn\u00eb<br \/>\nq\u00eb t\u00eb shohin mjesht\u00ebr Nikoll\u00ebn<br \/>\nn\u00eb piktur\u00ebn e kish\u00ebs s\u00eb Vllaher-<br \/>\nn\u00ebs si djalin e Onuf\u00ebr Qipriotit<br \/>\ndhe jo Onufrit t\u00eb kishave t\u00eb<br \/>\nShelcanit dhe Val\u00ebshit.<br \/>\nPor, i r\u00ebnd\u00ebsish\u00ebm \u00ebsht\u00eb<br \/>\nfakti q\u00eb Berati ishte nj\u00eb qend\u00ebr<br \/>\nq\u00eb t\u00ebrhoqi nj\u00eb brez piktor\u00ebsh,<br \/>\nt\u00eb cil\u00ebt zhvilluan nj\u00eb art n\u00eb nj\u00eb<br \/>\nretrospektiv\u00eb relativisht t\u00eb<br \/>\ngjat\u00eb kohore. Piktor\u00eb t\u00eb tjer\u00eb q\u00eb<br \/>\nvazhdojn\u00eb tradit\u00ebn e piktur\u00ebs<br \/>\ns\u00eb shek. XVI  n\u00eb Berat nuk ka<br \/>\np\u00ebr nj\u00eb periudh\u00eb t\u00eb gjat\u00eb. Joan<br \/>\n\u00c7etiri n\u00eb fillim t\u00eb shek. XIX<br \/>\npajis me  ikona kish\u00ebn e<br \/>\nkatedrales s\u00eb Sh\u00ebn Maris\u00eb,<br \/>\nnd\u00ebrsa mjesht\u00ebr Agathangjel<br \/>\nMbrica nga  kalaja  e Beratit, n\u00eb<br \/>\nfillim t\u00eb shek. XX,  b\u00ebn ikona n\u00eb<br \/>\nmetal t\u00eb rrahur.<br \/>\nProf. Dr. Hasan  Nallbani<br \/>\nMarr\u00eb me shkurtime nga<br \/>\nreferati i mbajtur n\u00eb Simpo-<br \/>\nziumin \u201c2000  vjet Krishterim n\u00eb<br \/>\nShqip\u00ebri\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marr\u00eb me shkurtime nga referati i mbajtur n\u00eb Simpoziumin \u201c2000 vjet Krishterim n\u00eb Shqip\u00ebri\u201d<\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"nentitulli":"","numri":"2 (112)","viti":"2002","muaji":"Shkurt","muaji_numer":"2","dita":"","faqet":"[9, 10]","fjale_kyce":"[\"Piktura\", \"mesjetare\", \"piktor\u00ebt\", \"kishat\", \"kalas\u00eb\"]","permbledhje":"Marr\u00eb me shkurtime nga referati i mbajtur n\u00eb Simpoziumin \u201c2000 vjet Krishterim n\u00eb Shqip\u00ebri\u201d","autori":"Prof. Dr. Hasan Nallbani","kategoria":"Artikull","kryeredaktor":"Thoma Dhima"},"ngjallja_kategoria":[9653],"ngjallja_autori":[10886],"ngjallja_viti":[10877],"ngjallja_kryeredaktor":[9473],"class_list":["post-85660","ngjallja_article","type-ngjallja_article","status-publish","hentry","ngjallja_kategoria-artikull","ngjallja_autori-prof-dr-hasan-nallbani","ngjallja_viti-10877","ngjallja_kryeredaktor-thoma-dhima"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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