N\u00eb ver\u00eb t\u00eb vitit 1953 nj\u00eb ekspedit\u00eb e ish Institutit t\u00eb Shkencave p\u00ebr her\u00eb t\u00eb par\u00eb deshifroi mbishkrimin e madh n\u00eb murin per\u00ebndimor brenda Kish\u00ebs s\u00eb Sh\u00ebn Kollit n\u00eb Voskopoj\u00eb. Ky deshifrim na b\u00ebri t\u00eb njohur emrin e David Selenicasit, piktorit m\u00eb t\u00eb madh afreskograf shqiptar t\u00eb shekullit t\u00eb XVIII. P\u00ebrve\u00e7 mbishkrimit t\u00eb m\u00ebsip\u00ebrm, deri m\u00eb sot nuk njihet asnj\u00eb burim tjet\u00ebr q\u00eb t\u00eb flas\u00eb mbi t\u00eb. T\u00eb dh\u00ebnat q\u00eb dalin nga mbishkrimi jan\u00eb fare t\u00eb pakta dhe nuk flasin mbi jet\u00ebn e piktorit. Ja disa pjes\u00eb t\u00eb mbishkrimit: “… kunga (q\u00eb \u00ebsht\u00eb punuar n\u00eb m\u00ebnyr\u00eb shembullore)…… dhe rreth e p\u00ebrqark naosit \u00ebsht\u00eb pikturuar n\u00eb m\u00ebnyr\u00eb madh\u00ebshtore, p\u00ebrgjith\u00ebsisht me dor\u00ebn e t\u00eb shum\u00ebditurit dhe me fur\u00e7\u00ebn e holl\u00eb t\u00eb gjith\u00ebosh\u00ebnarit zotit David Selenicasit dhe me shoq\u00ebrimin e Kostandinit e t\u00eb Kristos,……… 18 tetor 1726”.<\/p>\n
N\u00eb vendin ton\u00eb njihen Selenica e Kolonj\u00ebs, ajo e Pish\u00ebs, ajo e Frash\u00ebrit dhe ajo e Vlor\u00ebs. Mbishkrimi nuk cil\u00ebson nga cila Selenic\u00eb \u00ebsht\u00eb piktori. Mbasi Selenica e Kolonj\u00ebs ka pas\u00eb qen\u00eb m\u00eb e zhvilluar nga t\u00eb tjerat, ka t\u00eb ngjar\u00eb q\u00eb kryemjeshtri piktor Davidi t\u00eb ket\u00eb pas\u00eb qen\u00eb nga kjo Selenic\u00eb.<\/p>\n
P\u00ebr piktor\u00ebt shoq\u00ebrues t\u00eb Davidit, Kostandinit dhe Kristos, n\u00eb mbishkrim p\u00ebrve\u00e7 emrit, nuk theksohet gj\u00eb tjet\u00ebr. Mund q\u00eb k\u00ebta t\u00eb ken\u00eb qen\u00eb kush\u00ebrinj ose bashk\u00ebfshatar\u00eb t\u00eb Davidit, mbasi piktor\u00ebt mjeshtra n\u00eb at\u00eb koh\u00eb merrnin ndihm\u00ebs zakonisht nga njer\u00ebzit m\u00eb t\u00eb af\u00ebrm t\u00eb tyre.<\/p>\n
Interesant \u00ebsht\u00eb edhe fakti q\u00eb pun\u00eb t\u00eb tjera t\u00eb piktor Davidit nuk jan\u00eb gjet\u00eb deri m\u00eb sot n\u00eb asnj\u00eb vend tjet\u00ebr n\u00eb Shqip\u00ebri, p\u00ebrve\u00e7 atyre n\u00eb Kish\u00ebn e Sh\u00ebn Kollit. Supozimi se vepra t\u00eb tjera t\u00eb Davidit t\u00eb mund t\u00eb jen\u00eb zhdukur, nuk duket me vend, p\u00ebr arsye se shek. XVIII nuk \u00ebsht\u00eb shum\u00eb i larg\u00ebt dhe se pun\u00ebt e piktor\u00ebve t\u00eb tjer\u00eb t\u00eb k\u00ebtij shekulli ruhen gati t\u00eb gjitha. Nga ana tjet\u00ebr, arti piktural i Davidit ndryshon shum\u00eb nga arti i piktor\u00ebve tan\u00eb para dhe mbas tij, k\u00ebshtu q\u00eb shfaqja e Davidit me nj\u00eb art t\u00eb ndrysh\u00ebm tep\u00ebr t\u00eb avancuar, n\u00eb nj\u00eb koh\u00eb kur arti i vendit ton\u00eb ishte duke r\u00ebn\u00eb, mbetet si nj\u00eb fenomen i cili posa u duk, menj\u00ebher\u00eb u zhduk. P\u00ebr k\u00ebto arsye mund t\u00eb supozohet se piktor Davidi t\u00eb ket\u00eb ardhur nga jasht\u00eb.<\/p>\n
Veprimtarin\u00eb e tij artistike Davidi e ka derdhur vet\u00ebm brenda Kish\u00ebs s\u00eb Sh\u00ebn Kollit. Hajatin e k\u00ebsaj kishe jasht\u00eb e kan\u00eb pikturuar m\u00eb von\u00eb (1750) piktor\u00ebt v\u00ebllez\u00ebr kor\u00e7ar\u00eb Konstandin dhe Athanas Zografi.<\/p>\n
Kisha e Sh\u00ebn Kollit n\u00eb Voskopoj\u00eb \u00ebsht\u00eb nj\u00eb bazilik\u00eb e shek. XVIII, nga m\u00eb t\u00eb m\u00ebdhat\u00eb dhe nga m\u00eb madh\u00ebshtoret e k\u00ebtij tipi q\u00eb ndodhen n\u00eb vendin ton\u00eb, me madh\u00ebsi 33×18 m., e ndar\u00eb me shtylla n\u00eb tre nefe. Ikonostasi nuk ruan form\u00ebn e tij t\u00eb par\u00eb, ai p\u00ebrb\u00ebhet prej copash ikonostasesh n\u00eb ndrysh\u00ebm, t\u00eb rradhitura jo mir\u00eb. N\u00eb k\u00ebt\u00eb kish\u00eb madh\u00ebshtore ka punuar Davidi dhe shoq\u00ebruesit e tij. T\u00eb gjitha faqet e mureve, t\u00eb kubeve dhe t\u00eb kollonave jan\u00eb veshur me skena, piktura dhe ornamente agjiografike.<\/p>\n
Kryemjeshtri ka punuar afresket e faqeve t\u00eb mureve n\u00eb kung\u00eb, ato n\u00eb t\u00eb dy faqet murale t\u00eb naosit dhe skenat m\u00eb kryesore mbi kubet\u00eb. Punimet e tjera, q\u00eb paraqiten shum\u00eb m\u00eb t\u00eb dob\u00ebta nga ato t\u00eb Davidit, t\u00eb pikturuara n\u00eb vende t\u00eb kish\u00ebs q\u00eb dalin pak n\u00eb reliev, duhet t\u00eb jen\u00eb punuar nga ndihm\u00ebsit e tij, piktor\u00ebt Kostandin e Kristo, q\u00eb p\u00ebrmenden n\u00eb mbishkrim.<\/p>\n
Tematika e afr\u00ebskeve t\u00eb David Selenicasit \u00ebsht\u00eb po ajo e p\u00ebrdorur edhe nga piktor\u00ebt e tjer\u00eb shqiptar\u00eb e t\u00eb huaj n\u00ebp\u00ebr kishat tona, e q\u00eb \u00ebsht\u00eb zhvilluar dhe p\u00ebrdorur gjat\u00eb shekujve n\u00eb Kish\u00ebn Lindore. Kjo tematik\u00eb p\u00ebrb\u00ebhet prej temash nga Dhiata e Vjet\u00ebr dhe e Re, nga historia dhe goj\u00ebdhana t\u00eb Kish\u00ebs, nga Liturgjika dhe disiplina t\u00eb tjera teologjike. Vlen t\u00eb theksohet se Davidi ka p\u00ebrdorur tema q\u00eb ruhen rrall\u00eb n\u00eb piktur\u00ebn ton\u00eb t\u00eb vjet\u00ebr.<\/p>\n
P\u00ebrve\u00e7 temave t\u00eb zakonshme nga Dhiata e Re, festat e m\u00ebdha t\u00eb Krishtit q\u00eb lidhen direkt me dogmatik\u00ebn, si Lindja e Krishtit, Pag\u00ebzimi i Krishtit, Zbritja n\u00eb Ferr, Ngjallja, Shestja etj., dhe afresket e Sh\u00ebn Maris\u00eb si Lindja e Sh\u00ebn Maris\u00eb, Ungjill\u00ebzimi dhe Fjetja e Sh\u00ebn Maris\u00eb, Davidi ka pikturuar skena t\u00eb rralla q\u00eb jan\u00eb ose nga dogmatika ose nga goj\u00ebdhana e Kish\u00ebs dhe Jeta e shenjtor\u00ebve. T\u00eb tilla jan\u00eb: Krishti me flet\u00eb si engj\u00ebll, i quajtur “K\u00ebshilltar i mrekulluesh\u00ebm”; n\u00eb vazhdim t\u00eb sken\u00ebs Fjetja e Sh\u00ebn Maris\u00eb \u00ebsht\u00eb pikturuar “Ngritja e Sh\u00ebn Maris\u00eb me trup n\u00eb qiell”. T\u00eb p\u00ebrmendim pastaj sken\u00ebn “Therja e f\u00ebmij\u00ebve t\u00eb Vithleemit”, e cila rrall\u00eb haset n\u00eb kishat tona.<\/p>\n
Nga goj\u00ebdhana e Kish\u00ebs Davidi na jep Ungjillor Llukain si piktor duke pikturuar ikon\u00ebn e Sh\u00ebn Maris\u00eb, Sh\u00ebn Kristoforin me fytyr\u00eb qeni, sh\u00ebn Amoin t\u00eb zi, si arap, me \u00e7allm\u00eb e veshje beduine.<\/p>\n
P\u00ebrve\u00e7 k\u00ebtyre temave dhe shum\u00eb t\u00eb tjerave t\u00eb zakonshme Davidi ka pikturuar n\u00eb nefin jugor t\u00eb kish\u00ebs disa skena nga jeta e Sh\u00ebn Kollit emrit t\u00eb t\u00eb cilit i kushtohet kisha. T\u00eb tilla jan\u00eb: Sh\u00ebn Kolli ndihmon nj\u00eb t\u00eb vobekt p\u00ebr t\u00eb martuar vajzat”, “Sh\u00ebn Kolli duke shp\u00ebtuar nj\u00eb njeri q\u00eb ka r\u00ebn\u00eb nga varka n\u00eb det”, “Sh\u00ebn Kolli duke shp\u00ebtuar nga ekzekutimi tre t\u00eb d\u00ebnuar me prerje koke” etj.<\/p>\n
Nj\u00eb nga temat interesante t\u00eb Davidit \u00ebsht\u00eb ajo e ktitorit t\u00eb kish\u00ebs n\u00eb t\u00eb cil\u00ebn ktitori, veshur me kostum voskopojar t\u00eb koh\u00ebs s\u00eb tij, i ofron Sh\u00ebn Kollit maketin e kish\u00ebs. Temat e tjera jan\u00eb pak a shum\u00eb t\u00eb zakonshme.<\/p>\n
\u00c7faqja e David Selenicasit me nj\u00eb art t\u00eb nj\u00eb niveli t\u00eb lart\u00eb, shum\u00eb t\u00eb avancuar n\u00eb krahasim me rrethanat e vendit e t\u00eb koh\u00ebs duhet t\u00eb konsiderohet nj\u00eb fenomen. Pun\u00ebt e piktor\u00ebve t\u00eb tjer\u00eb ikonograf\u00eb shqiptar\u00eb t\u00eb shek. XVIII, nuk krahasohen aspak me pun\u00ebn e Davidit, dhe para Davidit, tek ne nuk gjenden piktura nga t\u00eb cilat ai mund t\u00eb ket\u00eb m\u00ebsuar e t\u00eb jet\u00eb zhvilluar.<\/p>\n
P\u00ebr k\u00ebto arsye \u00ebsht\u00eb me vend t\u00eb supozohet q\u00eb Davidi, mbasi t\u00eb ket\u00eb marr\u00eb m\u00ebsimet e para t\u00eb pikturimit n\u00eb Shqip\u00ebri prej ndonj\u00eb piktori vendas, duhet t\u00eb ket\u00eb dal\u00eb jasht\u00eb, n\u00eb ndonj\u00eb qend\u00ebr shum\u00eb t\u00eb p\u00ebrparuar, ku t\u00eb ket\u00eb zhvilluar dhe perfeksionuar mjesht\u00ebrin\u00eb e tij n\u00eb nivelin e lart\u00eb artistik q\u00eb q\u00ebndron. Esht\u00eb v\u00ebshtir\u00eb t\u00eb shpjegohet ndryshe shfaqja e artit t\u00eb lart\u00eb t\u00eb David Selenicasit tek ne n\u00eb shek. XVIII.<\/p>\n
Veprat monumentale t\u00eb Davidit me p\u00ebrsosm\u00ebri n\u00eb art, d\u00ebshmojn\u00eb se ky mjesht\u00ebr i madh shqiptar, \u00ebsht\u00eb nj\u00eb nga figurat m\u00eb t\u00eb shquara, nga artist\u00ebt m\u00eb t\u00eb talentuar t\u00eb koh\u00ebs s\u00eb tij, jo vet\u00ebm p\u00ebr vendin ton\u00eb, por ndofta dhe n\u00eb gjith\u00eb popujt e Kish\u00ebs Lindore.<\/p>\n
[Foto: Hyrja e Sh\u00ebn Maris\u00eb n\u00eb Tempull – David Seleniasi: Ikon\u00eb e Shek XVIII]<\/p>\n","protected":false},"excerpt":{"rendered":"
Studim i holl\u00ebsish\u00ebm i Theofan Pop\u00ebs mbi David Selenicasin, piktorin m\u00eb t\u00eb madh afreskograf shqiptar t\u00eb shek. XVIII, autor i afreskeve t\u00eb Kish\u00ebs s\u00eb Sh\u00ebn Kollit n\u00eb Voskopoj\u00eb (1726). Trajtohen biografia, tematika dhe origjinaliteti i artit t\u00eb tij.<\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"nentitulli":"Ikonograf\u00ebt shqiptar\u00eb t\u00eb shekullit XVIII","numri":"10 (37)","viti":"1995","muaji":"Tetor","muaji_numer":"10","dita":"","faqet":"[11]","fjale_kyce":"[\"David Selenicasi\", \"Voskopoj\u00eb\", \"Kisha e Sh\u00ebn Kollit\", \"afreske\", \"shek. XVIII\", \"Theofan Popa\", \"Selenica\", \"Kostandin Kristo\"]","permbledhje":"Studim i holl\u00ebsish\u00ebm i Theofan Pop\u00ebs mbi David Selenicasin, piktorin m\u00eb t\u00eb madh afreskograf shqiptar t\u00eb shek. XVIII, autor i afreskeve t\u00eb Kish\u00ebs s\u00eb Sh\u00ebn Kollit n\u00eb Voskopoj\u00eb (1726). Trajtohen biografia, tematika dhe origjinaliteti i artit t\u00eb tij.","autori":"Theofan Popa","kategoria":"Histori e artit \/ Ikonografi","kryeredaktor":"Thoma Dhima"},"ngjallja_kategoria":[9881],"ngjallja_autori":[9835],"ngjallja_viti":[9667],"ngjallja_kryeredaktor":[9473],"class_list":["post-83477","ngjallja_article","type-ngjallja_article","status-publish","hentry","ngjallja_kategoria-histori-e-artit-ikonografi","ngjallja_autori-theofan-popa","ngjallja_viti-9667","ngjallja_kryeredaktor-thoma-dhima"],"acf":[],"yoast_head":"\n